[PDF](+75👁️) Télécharger The Well-Tempered Clavier : 48 preludes and fugues for the piano, Book 2 pdf

This is a reproduction of a library book that was digitized
by Google as part of an ongoing effort to preserve the
information in books and make it universally accessible.

Google" books

http://books.google.com









c s’Y

./ V < ' A' . f ^

, - ' V «* ’ , V -

'•i' ? . '

t f ,7 4 . ^lj7 V . f. 4

{ \' V & ' i r ;M.



;, 1



-4 ;






Digitized by




Digitized by




Digitized by




Bach.



Piano




WELL-TEMPERED CLAVIER - Bk. 2

of

SCH I RM ER'S LIBRARY

OF MUSICAL CLASSICS




Vol. 14



BACH

Well-Tempered

Clavier

For the Piano

Book II
(CZERNY)

nr*

I $10.75




Digitized by boogie



Digitized by





SCHIRMER'S LIBRARY

OF MUSICAL CLASSICS




Johann Sebastian Bach

i \ \

The W ell-Tempered
Clavier/

Forty- Eight Preludes and Fugues

For the Piano



Edited by
CARL CZERNY

With a Biographical Sketch of the Author by
WHIP HALE



IN TWO BOOKS
Book I — Library Vol. 13
Book II — Library Vol. 14



G. SCHIRMER New York, /London



Copyright, 1893, by Q. Schirmer, Inc.
la 8* If. LA.



Digitized by




Digitized by




P reface.



The principal object in issuing this new edi-
tion of J. S. Bach’s “ Well-tempered Clavichord ”
has been to make it as correct and complete as
possible, both by means of comparison with all
preceding editions, and by collating with some
earlier manuscripts. In marking the fingering,
which renders this issue far more generally use-
ful, two points have been steadily kept in view :
First, to keep the hands as quiet as may be,
even in extremely complicated passages;
Secondly, to enable the player to bring out
each separate part independently, with
perfect smoothne'ss, and with due regard to
the phrasing.

Patient study, either on the pianoforte or on
the organ, will be rewarded by the rich and full
effect produced by a smooth and flowing poly-
phonic rendering.

It has been my endeavor to indicate tempo
and interpretation ;

First, according to the unmistakable char-
acter of each movement ;

Secondly, according to the well-remem-
bered impression made on me by Beetho-
ven’s rendering of a great number of these
fugues ;

Thirdly, according to convictions matured
by more than thirty years’ study of this
work.

Wherever an extremely rapid tempo is indi-
cated, this is, of course, meant only for the piano-
forte. When playing passages so marked on
the organ, the tempo must be moderated very
decidedly.

Those who have no Maelzel’s Metronome at
hand are reminded, that the Allegro in these old
compositions is to be taken, as a rule, much
more tranquilly and slowly than in modern works.



V orwort.



Bei dieser neuen Ausgabe von J. S. Bach’s
wohltemperirtem Clavier hat man vor Allem ge-
strebt, durch Vergleichung aller frUhern Aus-
gaben so wie einiger altera Handschriften, die
mdglichste Correctheit und Vollstandigkeit zu
erlangen. In der Angabe des Fingersatzes, wo-
durch dieses Werk eine weit grOssere Gemein-
nutzlichkeit erhalt, wurde stets der zweifache
Gesichtspunkt beachtet :

Erstens, die Hande, auch in den verwickel-
testen Fallen mdglichst ruhig zu halten;
Zweitens, jede einzelne Stimme von den
Andern unabhangig, streng gebunden und
folgerecht ausfuhren zu kttnnen.

Der Spieler wird die d_. an zu verwendende
Miihe, sowohl auf dem Pianoforte wie auf der
Orgel, durch die gehaltreiche Wirkung belohnt
finden, die mit einem vollstimmigen und fliessen-
den Spiele hervorgebracht wird.

Das Zeitmass und den Vortrag habe ich :

Erstens, nach dem unzweifelhaften Charac-
ter eines jeden Satzes;

Zweitens, nach der wohlbewahrten Erin-
nerung wie ich eine grosse Anzahl dieser
Fugen einst von Beethoven vortragen
hdre ;

Drittens, endlich nach den Ideen aufzu-
zeichnen und zu bewahren gesuchf, welche
ich selbst durch ein mehr als dreissigjahri-
ges Studium dieses Werkes in mir fest-
setzte.

Wo einbedeutend schnelles Zeitmass vorge-
schrieben wurde, ist es naturlicher Weise nur
fiir das Pianoforte berechnet. Wollte man je-
docb die so bezeichneten Satze auch auf der Or-
gel vortragen, dann mUsste allerdings das Tempo
bedeutend langsamer genommen werden.

Fur diejenigen, denen kein Maelzel’scher
Metronom zu Gebote steht, wird noch erinnert,
dass das Allegro bei diesen altera Compositionen
in der Regel viel ruhiger und langsamer zu neh-
men ist, als bei moderaen Tonstttcken.



Inverted

mordent.




Prmller .



CARL CZERNY.

Trill

Mordent. without after-beat.



Mordent,




Tritler

ok no Nac kick lag.



Trill

with after-beat.




Trillor

mit Nackscklag \



W

22 .

t\\

W(*

{ S ~1 3

V. 2
0 . ^



Digitized by boogie





Digitized by








Contents








Vol.H








1 Preludio


pm* •• Puga • a mi


Preludio


p*i* * Puga » a To«i


r<**«



Preludio



Puga ft 4 iMi PM*



Preludio



1 10 Fuga * a mi



Preludio



Pun » ami



Preludio



ao Puga » 4 mi



Preludio



h Pun » a mi



Preludio



Pun ftami



Preludio



I to Fug* ft 4 ro«J



Preludio



Fftf»44 Fug* ft 4 mi PM*



Preludio



» 40 Punft 4 ml



UMMiltUfj



Preludio



PM* 4 * Puga »ami



Preludio



Puga ft 4 mi



Preludio






11 Puga i



Preludio



Puga m ami



Preludio



IMS Puga • a voei P*«*






Digitized by





























Part Second.



Preludio I.




Digitized by boogie





4



Allegro moderato. (j:i*o.)



Fuga I.

a 3 Voci.




Digitized by









11







14



Preludio IV.




!«■>■






Fuga IV.

a 3 Voci.




1016



Digitized by



Google







11018



Digitized by boogie









20



Preludio V.






4 8 *



1018



Digitized by



Google





31




32



Fuga VII.

a 4 Yoci.









34



Preludio VIII.











Fuga Yin.



37



a 4 Voci.






44












Digitized by



Google



Hill



47



Fuga X.

a 3 Voci.




* 1 ) The l6th-note and the last of the three 8th-notes are to be played exactly together.

*s) The same here, and everywhere throughout the Fugue, where this division of the bej^ appears.



lOogle



■ III






49




1 * 1 *8% I,



Digitized by





Preludio XI.



51









58



Preludio XII.




11016



Digitized by boogie



'■■pi



59




11016



■ III





11016



Digitized by boogie





83



Preludio XIII.







1101B



Digitized by boogie









'mu




70






70



Preludio XV.





77




111 /






89



Fuga XVI.

a 4 Yoci.






84










86



Preludio XVII.





87







91











11016



Digitized by



Google







Preludio XVIII.



93



Allegro moderato. (J= too.)







Ilk








Preludio XX.



Andante molto espressivo.(^= »*.)







Ill








*








117



Fug a XXII.

a 4 Voci.









11016



Digitized by boogie




125



Fuga XXIII.

a 4 Voci.











126




11016



Digitized by boogie





128



Preludio XXIV.




IIIL





Digitized by




Digitized by boogie



Digitized by




Digitized by



Digitized by




Digitized by




iS\W‘\ \\\.vv\V\ <




THE UNIVERSITY LIBRARY
UNIVERSITY OF CALIFORNIA, SANTA CRUZ



'■ - This book is due on the last DATE stamped below.
>■ To renew by phone, call 459-2756

Books not returned or renewed within 1 4 days
- ^ after due date are subject to billing.




•A'* 1 '



V •.



-IN 26*96

w

FEB 1 0 1337 SfC 1)

MW 0 7199?

JUN 17 1037 fiiC’D

JUL 0707 tlt'D

| mis'99

' APR 1 5 1503 SIC’B

K.-.Y






Lire la suite

• Taille
  31.97 MB
• Nombre de pages
  15