[PDF](+56👁️) Télécharger Art Gout Beaute pdf

TheJ following housed^ haveJ
contrihuted to the present issue :



Beer
Bernard
D oeui llet
Doucet
D recoil
Georgette

jMartial & Armand

jMiolyneux

Jean Patou

Ptil ippe & Gaston

Paul Poiret

Premet

Worth



j, Place Vcndome
33, Avenue dc l'Op era
a^, Place Vendoine
31, Rue dc la Paix

Avenue des Cliamps- Ely sees

9, Rue Aulier

10, Place Vcndome

5, Rue Royale

J , Rue iSaint-Florentin
120, Avenue des Cliamps-Elysees
37, Avenue Victor-Emmanuel III
8, Place Vcndome

6, Rue dc la Paix



El



iane



24. Rue de la Paix



% ¥

Art - Gout - Beaute

FEUILLETS DE L'ELEGANCE FEMININE

publishing monthly the choicest models of the big dreddmakeid in the exact
dhade 0/ their creation, ad well ad the textile fabricj in vogue

Yearly subscription : Six Dollars

On demand addrcdded to Art-Gout-Beaute a specimen copy will be dent
PARIS OFFICE NEW- YORK OFFICE

1-, /Jut.' des Jeuiuur*.; rj tot Mad'isoiu Avenae/>

^ Tel. : Gutenberg 46.06 Tel.: Mad. Sq. 6041



i,
i,
i,
i,

i



Trad



e marJ



Registered
names stamped
>n the selvage




Materials
on boards with
yellow edges.



Ask



our draner to show vou



the A. G. jB. materials

MANUFACTURED BY
LES SUCCESSPURS d'ALBERT GODDE. BEDIN & C°
PARIS - LYONS - TAR ARB - MUI.HOUSE

¥

A few A. G. B. fabrics

ASTRABAD BANJO FANTASIA MIRANDA
RADIANT FAUSTA CREME DE SOIE

OSIRIS TIFLIS MIRAMAR FLORIS

<i — 1 —

BRANCHES op les Successeurs d' Albert GODDE, BEDIN & C



PARIS, 37. Rue del Jeuneurs (>• Arr.).

— 3, Rue de la Paix.
LYON. i5. Quai des Brotteaux.
TARARE, Place Caraille Godde.
MULHOUSE. 17. Rue de Huningue.
MARSEILLE. 14. Rue Venture.
BORDEAUX. 13. Rue de la Devise.
TOULOUSE. 9, Rue de I* Concorde.
ALGER. 3. Rue Monge.
LONDRES. Citj 1 Falcon Square K. C. 1

6 et 7, Great Castle St. W. 1.
MANCHESTER, 5i Foutain Street.
GLASGOW, 3o Gordon Street.
BRUXELLES. 38, Rue Saint-Michel.
AMSTERDAM. 30. Hcmonvlaan.
CHRISTIANIA. 8. Stortorvet.
STOCKHOLM, 6. Malmtorg.gatan.



COPENHAGUE. 48. Pilestrcede.
MADRID. 6, Cava Alta.
BARCELONE, Rosellon 354.
VALENCE Balme, 5.
MILAN. 3, Via Dante.
VIENNE. Wollreile 5.
BUDAPEST. Balvanv-Utcxa 16.
PRAGUE, Palais ■Riunione Adriatica"
VARSOVIE, Senatorska iq.
BUCAREST. 70. Strada Carol.
ZAGREB, Jelacicev Trg.
CONSTANTINOPLE. So - 34. Hour,

Kahvcdji Han.
ALEX AND RIE, B P 3o5.
LE CAIRE. B P 367.
BEYROUTH B P 364.



NEW-YORK (The Godde Building .

101, Madison Avenue at 39th Street.
SAN- FRANCISCO 833. Market Street.
TORONTO (Ont). 64. Wellington St. W.
LA HAVANE. Marta Abreu 5 7 .
BUENOS-AYRES, 1168. Alsina.
VALPARAISO. 1 303. Blanco.
JOHANNESBURG, P. O. Box 3433.
CAPETOWN, P. O. Box 9 65.
MELBOURNE, 336. Flinder s Lao*.
SYDNEY. Broughton House. 47 King St.
ADELAIDE. 6 North Terrace.
WELLINGTON, i3. Grej Street.
AUKLAND. 10. Fort Street.
ATHENES. Romvis, 33.
RIO-DE-IANEIRO. 93. rua da Alfandcga
SOFIA. Boulevard Dondoukoff 7.



MVl JfrW> JtXl gtXf /t*t J**> Ml&rA &j&lJX Xl ym,,,,i,jty> .yftflV Jtt,,,, l ,jVri,,,,T^&TrrrrrJ Xr.

W -JtA* JWs4# |§5 r **** W




The Wonderful ^N". D. Olympic Ceintiire

is indispensable to every young woman wlio lias due regard for lier appearance and comfort. It lias no
lacings in tlie back and allows complete freedom of movement. An ingenious arrangement ot suspenders
at trie side effaces tlie lower part of tlie cemture, wlncli does not sliow under even tlie liglitest materials.



There > arcj fouf sizes, which can be bad either in fancy satin of batiste >.

Size A rubber, height 5 inches, ceinture with suspenders, fur all sports

— B — 8 — medium, for dancing.

— C 10 — for motoring and travel.

— D — 1 j giving still greater protection, and shaped for lull dress wear.



All readers of A. G. B. should in J is t on obtaining this novelty from the shops at which
they usually deal. If iwLj kepi in stock, samples can be obtained on application to the
Etablissements des Corsets N. D., 3, Rue Nicolai, LYONS.
Exclusive Wholesale: 24, Rue Richer, PARIS



R , C. LYON 4 1.641



CHAMARANTt 5&RAPHIN




PROM BL0550N PROVIDES A?

TO BEAUTY SOENTED PATH

LE KID "




Cf L£ KID" THE SMALLEST 5CEMT SPRAY IN THE: WORLD
IS MANUFACTURED BY MARCEL PRANCK I IN PARIS
49. BOUL9 DE MEMI LMONTANT PHONE,ROQUETTE52-20






GREHOBLE




f err tb€>lf>

tfee
of tbeif

Good taste

of t<hei/n



Agent for GlovtJ

M. FAURIEZ

2, Rue Amelot
Teleph. : Roquette ^0-64

PARIS



Agent for Bagj :
M. Bruno EISNER
14, Rue de l'Echiquier

PARIS



LONDON, WAREHOUSE
2 o Cheap side E C




EAUTE



FEU I LLETS DE L' ELEGANCE FEMININE



MODES OF THE MOMENT



Tkougk tke Parisienne kas kardly finisked nikkkng tke marrons

glaces and sweets tkat accompany tke
"New Year wiskes, ske kas already
kegun to plan an escape from tke social
kurden of making a round of calls, ky
migrating to one of tke keflowered
refuges tkat line tke skore of tke
MeJ iterranean ketween Cannes and
Menton. Only tkose women wko
keep to tke old traditions, and tkose
of tke official world wkose smartness
is keyond question, remain in Paris.
Out of doors, tke city presents a
picture of zigzag reflections of kgkts on
tke wet pavements, and a tangle of
motor-cars. Tke krilkantly kgkted
salons are pervaded ky a kotkouse
atmospkere in wkick tke flowers
are represented ky wonderful
calling and dinner dresses.




M^aienals in Fashi



on



Frivolite. — Orchid "Fascination" A. G. B. satin dinner dress
with i'eL<et JPowerj- to match. Dceui llet

Corrida. — Gold and red lace evening dress trimmed with black
"Banjo" A.G.B. crepe embroidered with gold. Drecoll

Reverie. — - Black satin crepe fourreau covered with a tunic of
ecru lace. Doucet



Afternoon dresses,
like tkose for dinner, are
generally made of some
kind of crepe, suck as
Ida, JMiranJa, Miramar,




all belonging to t ke A. G. B.
collection, to which should he
Guetaria and Astrabad,
the latest creations of the same
firm. Among the satin crepes
that diffuse the light and cast a
brilliant sheen over the whole
figure, Milbourg and Beaute
enjoy the greatest amount of
favour, without prejudice to
the real satin called Fascination,
no doubt because it fascinates
us an J fulfils our desires.
Xhese suppL



Hindol'e. — Gold and
vloUu* Cambodian; lame
evening dred».

Paul Poiret



Art - Goat

■ Black velveu,
evening OFC44 wtlb collar oj



tese supple,
luminous
materials
cling to the
flexible



llky and



e m 1 n 1 n e
figure, set
it off and
reveal its

ghtest movement. _L heir delicious appearance and
wonderful qualities are valuable asset to the great
dressmakers and a continual source to us.



ilitfhl



diL'er guipurej> am) diamond.)

Georgette



t. Their deh



A P



ansian



'At H



ome



Iressmakers a



nd th



eir



JM.y experience of d
different styles and my knowledge of all the new
materials, which I see as soon as they come out,
enabled me to pick out five especially remarkable
toilettes at an at home given by that pretty and Petit Som. - Evening

_ .* f-y £ i dreAd oj black cbiff'on trim-

witty Jrarisienne JVjjne. oe One ol these med »UI> velvet flower* to

creations was by jMLolvneux, another WD recoil, Dneuillet




lyneux, another by



ind a



two by Jf remet ai
fifth by Beer. I should
explain that the very
smartest women, the
cream of Parisian
society, are to he seen
at Mme. de C... s.
Comtesse de Ai...ion
made a sensation with
her Alolyneux dress of
white A. G. B. crepe
du Alaroc embroidered
with crystal heads.
Baronne de A£...guy,





Black velvet after-
noon mantle embroi-
dered with red and
trimmed with fur.

Doeuillct



Triomphe.- Mantle
for af let noon calls :
mauve and gold lame
trimmed with fur.

Jean Paton



Olympique. - After-
noon mantle : black cloth
and black ialtn trimmed
with tiger-skin .

Wortt



ko



wore



Baccarat. — Ruby-red " Ida "
A.G. B. crepe cajino drcM embroi-
dered with beads to match.

Doeuillct



iSamoura'i , a three-piece hy
Drecoll, was dazzhngly heautiful. After taking
off her small coat of black cloth embroidered
with gold and trimmed with fur, she looked
slenderer than a lily, her figure being sheathed,
so to speak, in black JS/lilhourg satin crepe.
Comtesse de L...tyc, in a tout-aller hy Premet
— hlack rep with a white collar and a red
leather waistband — wore a sautoir of won-
derful pearls. jM_uch attention was paid to a
young American also dressed hy Premet in
Veuve Joyeuse — hlack and red ottoman
set off with hlack and white embroidery.

The dress hy Beer — green M.iranda crepe




de cki



tk red



ie chine with red trimming —
was worn by one of our
greatest poetesses, wko looked
more graceful and keautiful
tkan ever.



D



D F. S 1 R D F. Ff. M M E ■ Pink

" Beaut e " A. G. B. .nilin crepe
dinner'' drew embroidered with
crystal beads.

Georgette



Desirable. — Din-
ner' dreM of .ulven
lame' and blue chif-
fon.

Wortk



cenes



Countless dinner-parties
are keing given, kut soon will
come tke exodus towards more
favoured climes, and tken we
skall kear tke first rumours
of wkat is
doing on
tke Riviera.
In tke me-
antime,
kant scenes
are to ke
witnessed in



tke dining-rooms of tke smart kotels, wkere tke
cream of cosmopolitan and of Frenck society
mingle. One sees tke same people at tke principal
emkassies, wkere tke dinners are particularly
recherche. In tke rest of society tke dinners are
ckaractensed ky a more ckarming intimacy and a
less official ckaracter tkan tkey will assume after
Lent. I see a great many satin crepe dresses, lace
and lames. Quantities of pearls and diamonds
are worn, in tke skape of diadems, necklaces and
kracelets. Almost everywkere tke women, on
leaving tke takle, produce tkeir cigarette cases,
generally marvels of tke goldsmitk s craft, and
proceed to smoke.




Toubib. — Calling dre.v of
qreen crepe de chine and black
ottoman with grey embroidery.

Beer




■wo creations by

Samourai. — A three-piece made
of black " Jlilbotirg " A. G. B.
dalin crepe and a tmall black clolb
mantle embroidered with gold and
trimmed with fur.




VThilej lainageJ mantle ?
embroidered with while and
green chenille.

Wortk



On Commence. — A
lailor-madej) of red woollen
material rejembling Scotch

pUid - Drecoll




NOTE

The majority of society women
wear a tailor-made or three-piece, very
.ample and sporty- looking, all day.
The dressmakers complain of this
and put it down to a mere caprice,
whereas in reality it is a gentle hint
that incomes are not rising in pro-
portion to the prices of f rocket:



ome main voints



D



resses are becoming



Mah-Jong. — Silver and pink lame evening
cloak. Philippe et Gaston

Dragon. — Full evening dresi of black velvet
and gold lame. VaiA Poiret



snorter and shorter all the time. Tke fask ion
has spread so quickly that a reaction is sure to
occur soon. The materials chiefly in favour,
and likely to remain so for a long time to come,
are A.G.B . crepes an d flexible woollens of the
cashmere kind. In regard to evening toilettes,
there is a tendency to revert to velvets and
printed and cut pannes, which remind us of the
dresses of our grandmothers time. You also
see a great variety of sheeny Fascination
satins and transparent chiffons, of such a
lightness and airiness as never hefore was




Graziella. — Dinnen
dreid, forming a fourreau,
of silver lame, covered with
crepe georgine embroidered
in silver.

Doucet




J. wo creations ty Mol yneu)



Model 104. — Afternoon drejj of black velvet
embroidered with coral beads.

labile A.G.B. crepe du Afaroc dre.ui for calls,
embroidered with crystal beads.



firms to bring in tke Directoire
style have not met with much
success, as I have before had
occasion to remark. A.t teatime
the other day, however, at one of
the smart Pans hotels, I saw one
of the leaders of fashion boldly
wearing a dress that was unmis-
takably inspired by the period in
question, and quite pretty enough
to make us like it. Xhe skirt and
jacket were of black cloth, the
latter being drawn in at the waist.
It had large lapels, and the white



known. As to colours, those
most in request are various
shades of red, ranging from very
pale currant to that of the fruit
when it is beginning to ripen ;
warm and luminous straw tints,
skyblue, pink and mauve. Tli ere
is less black than before, but
plenty of white.

The Directoire style again
Tke attempts made by some




Mignon. — White "Ida" A. G. B. crepe after-
noon dredd with velvet let in.

Bernard

Trente & Quarante. — Pleated black crepe de
chine casino dredd, fringed with red.

D llet



satin waistcoat was indescribably smart. At a recent envenmg party
given by the faskionable painter of tke moment, two ckarmmg women
ventured to suggest tkis style in dresses wkick, tkougk quite different,
were equally pretty. One was made of Fascinatioru and tke otker
of lace. Xkese dresses formed an amusing contrast, one ty V lonnet,
made of clotk of silver, tke skirt widening out all tke way down to
tke bottom and kaving wide and karmomous pleats. Tke corsage
was made entirely of small pieces keld togetker by seams eack of
wkick was accentuated by a line of bngkter silver. Xke waist, in
its natural place, added to tke effectiveness of tke outline.



ROSINE.



Drawings by Colette, J. Dory,
M ariotton, Ai.ana and Vitrotto.




Tke fortkcoming appearance of tke spring dresses once more draws attention to tlie
vexed question of protecting tke new designs wkick, as soon as tkey are krougkt out in
Pans, are copied in tke most skameless way. One of tke principal worries of a leading
couturier is to protect kis inventions against pirates.

Few people reakse tke loss tkat is sustained ky a dressmaking firm wken a successful
design is imitated. Going to law is of very kttle use, and, even wken tke plaintiff
oktams a verdict, tke judgment is usually given in suck dekgktfully suktle terms tkat
tke defendant can leave tke court, feeling as kappy as if ke kad won kis case.

It is a great pity tkat tke law skould give so kttle protection to an industry so essen-
tially ckarmmg and Parisian, wkicli krmgs so many milkons of francs into tke country
every year. Tke competitor wko makes kis way into tke premises of a rival firm and
takes advantages of tke confidence sliown towards kim to kuy drawings and models, copy
tkem, and sell tke dresses as if tkey were kis own design, deserves to ke looked upon as a
tkief and to ke treated as suck. Legislators, wko are justly severe in cases of ktterary
plagiarism, ougkt to defend dress creations against piracy.





Some Revivals,,.

+ 4* +

The fashions of to- Jay have
revived someJ featureeu oj that~>
polished age the eighteenth century.
Never before has anyoneJ seen so
many bow£U and puffeu on nearly
every part of the feminine costume.

utterfly how, with its
four wings of ribbon, tulle or lace,
is perched on the top of the hat, no
matter what the
shapeJ of theJ>
latter may he.
At the sideJ> of
the brim we find
the ivindmillbow
or the « Fron-
deuse» with one

or two shell-shaped arrangements, or a soft Lavalliere how,
either with or whitout fringe. In front, put very high, is
the Loui(C> XV how, which rathef reminds one of the
propeller^ of an aeroplane. Some « trousses » have a very
sporting-looking flat how at the hack of the neck.

The same varied combinations are observable on dresses :
flat bows at the encolure and bottom of the waistcoat, a little
bunch on the shoulder, a slip-knot on the hip, cockades and
pujf<u arranged cascade- fashion.; on the paneleu and at the
back ; a Ti^atteau bow or a looseJ creo leJ knot on the
shouldenu. Instead of look'1110 out-of-date, these fanciful Viuvb Joyem*.— Black

" J J J ottoman walking dreti trtm-

notions have a char mine and deliehtfull effect on the slender me? t black and wbil ^



Sgeurs Jumelles. — Black
"Georgine" A. G. B. crepe
calling cfre.u trimmed wilb
ruby velvet ribbon.

jMarUal et Armand



Rf.lai. — Nut-coloureJ
" .Hiranda " A. G. B. jatin
crepe calling dreM with lin-
gerie collar.

Ai.artial et Armand




mo



dern fi t



gure.



remet



FORECASTS...

The line is changing gradually,
ana] I should not wonder if some
unexpected developments took place
in the spring, irteu are heing

made shorter, and they fall at the
bach and sides in a characteristic
manner. Furthermore — I wonder
if this is a hint at the returns of
the DirectoireJ styleJ ? — theJ>
(( emplacement » round the shoulders
and neck and under'' the armeu is
taking a more and more prominent

place. It is



very pretty



when made of
guipure, lace





Peccadille. — Green '
"Miranda " A. G.B. calling
dre.fj, trimmed with red
paMemenlerie.

Beer



Art - Gout - Beaute

Grisette. — jflotue-grey
"Ida" A. G.B. crepe calling
dreM embroidered will) braid
lo malcb.

Bernard



Turquoise. — " Gue'taria "
A. G. B. crepej evening
dres.f.



re met



or transparent crepes with skilful contrasts of colour. It will
undoubtedly have to be balanced with a broad waistband, not
too tightly stretched, or even draped, so as to break the line.
This waistband may perhaps be put higher than the hips.



JEWELLERY...

Pearl necklaces are worn very long. One row is close
round the neck, and the rest is arranged with studied care-
lessness into a loop which falls between the bare shoulders.

For day weaf, it is the corrects thing to wear^ theJ>
ctsautoir» of pearls with one row close round the neck and




two endeu crossed over the shoulder^, one hanging
down in front and tire other^ behind. To show
that this is intentional, and that no accident has
happened to the necklace, each end has something
to finish it off, such as an odd pearl, a diamond,
emerald, sapphire or amethyst, or simply a modest

cornelian another caprice.

The rage for rows of pearls shows itself even
on the wrist, in continuation* with quantities of
other bracelets.

o
o a

PLEATS AND TUCKS...

To put life into the very simple^ line of the
modern costume, dress-



Prologue. — Black and while''
"Atiranda " A. G. B. crepe dinner
dreM embroidered wilb ,rma/l roMi.

Beer



makers are using pleats,
largeJ> and small, flat^',
waved, accordeon, organ-
pipeJ> and chain*, and
tuck(L; with or without^'
heads, single or double,
with ruches, and honey-
comb. But for these-? additionau the line would not
possess that infinite variety and wealth of differences

in which the art of the couturier finds expression an

art which find<c> still further^ variety of effects in the
colours and materials employed.

Pleats and tucks reflects' the light in all sorts of
different ways and give infinite variety to the combinations
created by the designers imagination.

They need nothing more to make them charming
but the fairy fingers of our clever workgirls and such
perfect materials as the crepes, satins and all other

creations of A. G. B.

LUCIE NEUMEYER.




Sultane. — Full evening
ih-ej.r of j-ilvei'' and gold
lame.

Doucet



ABOUT LACE



Tlie fairy Lace kolds gentle sway over tke world of faskion, and all our
master dressmakers satisfy ker caprices. In addition to Alencon laces, eitker
natural colour or dyed peack, orckid, apricot or Parma violet, wkick are put on
fine lingerie, Beer, Callot, Pkil lppe et Gaston, jMLolyneux and otkers are using
klond or dye d Mai mes in karmony witk tke materials. Tkey are let into
tke silky crepes so as to form crossed entredeux, tunics, emplacements, kands and
edgings wit kflat, cut-out ar rounded ilounces.

PI am or ockred Alencon is successfully used by Redfern and Drecoll for tke
collars and facings of tkeir afternoon dresses. An edtfi ng of Alencon lace also
appears on tke tiny kandkerckief tkat is stuck coquettiskly into a small kip pocket.
For evening wear tke correct



tking is Hat Venetian lace in plain
gold or silver or dyed to any of tke
fasl nonable colours, or metallic
Mai ines.

Witk tkese adornments smart
women wear crepe skawls witk long
knotted fringes, tkese skawls kemg
arranged eitker like scarves or in
squares, ey are edged witk mo-
dern designs of flowers worked in
gold, silver or copper or in many-
coloured silks witk tkreads ol gold
or silver, in imitation of ancient
emkroideries.

All tkese evidences of refined
taste, wkick are extremely pleasing
to tke eye, are due to RACINE,
wko may Le called tke Grand
M.aster of lacework. His emkroide-
ries and parures are made specially
and solely for tke leading dress-
makers. His creations of good
taste and Frenc k Art are not
sold to private individuals, as
RACINE d oes not care to see
tkese delicate tkmffs kecome too



flatVe



1,



)laii




common.



Lucifer. — Ruby
velvets evening drejj
with (fold guipureJ
tunic, Racine lace.

Beer



Entre - nous. — Black
" yffllbourg " A. G. B.
j-alin crepe fourreau, with
Racine lace tunic to match.

D ceui llet



TEE PROMISE OF SPRING



+ 4* 4*



The line this spring will he characterised hy a simplicity worthy of an ancient
Greek statue. Its sohriety is softened hy the suhtly feminine choice ot the materials.

The hest houses are paying considerahle
attention to rich hrocades. For instance,
N° uo.u&y, which is hrocaded and waved,
and is made with a cordonnet in the modern
emhroidery style, is a good specimen of the
materials now used for dresses, dress-mantles,
tailor-mades and hetween-seasons garments.

For evening wear, pride of place is
leld hy the supple <?old and silver lames.

mong those most
frequently sh own
are the Lame Zehre
N° 20.222, lor dres-
ses, garments, linings
for sumptuous furs,
coiffures and details
of parures, and the
Lame Inse N° 2 0.3i o,




on which the round
portions of the design
stand up in relief,
the result being a
great variety of light
and shade and effec-
tive contrasts. These
materials harmonise
wonderfully with the
Tanacra-like appeara:



20.257 - Ka^onne ondult*

A.G.B.



Width Sq jacbei



of the mod<



igra-like appearance ol the modern
woman and also with the filmy effects of the
lace so frequently worn. The favour with
which they have been received show how
great will he the spring demand for very
smart materials.



20.010 - Lame Irise A - G.B.

Width 36 iscfcn




reations by .CI lane



5. Brigitte.- Black taffeta cap and bag ; dcarf of
black, crepe marocain embroidered in gold, silver
and ruM -brown.

4- Le Vison. - Cigar-brown Jell and v'uon toque.
Scarf of crepe marocain io match and umbrella
with carved wooden handle.



1. L'Infante.- Black dalin and fealberj
with a jet ornament .

2. Persian lurban of nigger-head taffeta
embroidered with redd'uh green and old
blue ; bead latoels ; band to match.



AFTERNOON TEA



by Clement Vautel
4* 4* 4*

Every day, between $ a/*^ 7 />. m., half a million Parisiennes receive communion in the
form of tea and cakes.

It U an observance, and one might go so farad to call it a sacrament or even a religion.




Nicole is one of these 500.000 drinkers of hot water, and nothing in the world would
induce her, even for a single day, to neglect this custom, which is undoubtedly more important
to her than all the others.

The other day we were talking about the "great day " on which the anarchists and the
Bolshevists and the rest of the " ists " hope to bring about the final ruin of existing institu-
tions, and Nicole remarked that she did not care, so Ion cj as it did not take place at tea-time !

Five o'clock is essentially the woman 's hour because it gives such admirable opportunities
for gossip and tittle-tattle and talk about nothing in particular.

Nicole of course never goes to any tea-place except the on that happens to be in fashion.
There is a new one every year, but the surroudings never change. You always find the rooms
decorated in the same Louis XVI style, more or less modernised, the same conceited, absent-



/




minded and tyrannical attendants, the dame hot water, the same plum cakes and the dame
padtry, not to mention the dame band, the dame jazz and the dame lonely man waiting for a
girl who had not the dligbtcdt intention of coming.

Nicole dpendd dome delightful tuned in thid highly Paridian tea-room, where people
chatter in every language under the dun. She feeld that the overhead lighting /naked her look
her bedt. She telld all dortd of dtoried to her women friends, who arc thenidelved do budy chatte-
ring that they do not pay much attention to her. She named all the celebritied in the room,
and calmly adsertd that the young man dolemnly eating a cake in the corner id the Prince of
Waled.

" Yed, indeed, my dear, and I
am certain he would bow if he daw me.
T^e danced together at Deauvillc ! "

Unfortunately the PrinctJ of
J la Led— if it id the Prince of JValcd—
does not raide his eyes but proceeds to
devour another cake.

Nicole aldo id a good cudtomer. In dpite oj her doctor' d advice and the danger of getting
fat, dhe managed to get through at leadt half a dozen caked in a dort of cadual way ad if dhe
did not really care about them.

The feminine appetite at tea-time id frightful. O pale and doulful beautied of the
romantic epoch, where are you now ?

In the evening, when dhe ditd down to table, Nicole will addume^y an angelic air
and remark to her hudband :

" I'm not hungry. Don't you think
dinner id an unneccddary meal ? It would
be much betted for you if you judLj ate a
little dalad, Like me ! "

And if her hudband objectd, the con-
verdation doon becomed domewhat acid. Tza
id daid to affect feminine nerved.




CLEMENT VAUTEL.



FEMININE FOOTWEAR

+ 4* +

While retaining a line of great simplicity, Fashion cultivates refinement of details to an unprece-
dented extent. Never lias so mucli attention teen paid to what are called the accessories of feminine
attire.

Shoes, for instance, have attained a degree ot luxuriousncss hitherto unknown. Cinderella s slipper
would cut hut a poor figure in comparison with the little shoes of to-day, made of gold and silver lame,
hrocaded satin, emhroidered and headed velvet, hand-painted plush and printed hrocade, such as are now
in favour for evening wear.

These delicate marvels not only match the toilette hut torrow its materials, its tone, its ornaments and
its styles. Even the heels have incrustations of precious metals, mother-of-pearl, paste diamonds and
precious stones arranged in chesshoard patterns, designs or monograms. Some lacquered heels are decora-
ted with miniatures.

Shoes for day wear arc stitched and seamed to an extraordinary extent and are no less precious than
the others. Weh ave said good-hye to the suhstantial shoe and the high upper. Henceforth the skins
ot lizards, snakes and crocodiles, dyed, silvered, gilded and baltke, will he the favourite materials of the
chic shoemaker for his afternoon, carriage and dancing shoes. Deerskin and kid are printed and worked
up in all sorts of ways, and patent leather assumes the tints of the rainhow.

The shapes are exquisite, with a steady tendency towards the very pointed toe. The general style
is a semi Louis XV with ingeniously contrived openings. Such creations seem to he made expressly for
the feet of fairies. One wonders where this cra:e for refinement in foot-wear will stop.

CRINOLINE.



FRENCH COMPANY OF JEWELRY
AND GOLD & SILVER-PLATE

Robert Linzeler
March a k



Pendent able to be transformed into two other articles :
the upper portion forms a brooch,
the lower, another pendent.



JEWELRY

j, Rue de la Paix
PARIS



GOLD and SILVER-PLATE

9, Rue d'Aryeiuron
PARIS



2 f , Promenaded cW> Anglai&j
NICE






t



Leather Gloves Manufacturers

ESTABLISHED 1870

Maurice VIVIER from 1870 to 1894 - V" VIVIER * Fils from 1894 to 1912
VIVIER FRERES from 1912 to 1924



VIVIER F



20-22* jtxvenue



Gambetta



M I LLAU



PARIS

CH. METT&

I 5, Bd de Strasbourg





•■i



r

I



LE TI55AGE A T RAVERS 1X5 AGES




AV TEMPS DBS PHARAONS




CPEE A PATOS FABKIQUE A LYON

LES TTOSUS BE vSOEE
1XS PLUS ADMITRE5
IvES PLU5 RECHEUOiES



25 PLACE VENDOME
PARIS



Tcleph i LOUVRE 31-96
GUTENB.66 07



:i



9



y>m //n^vm*. >m%. omt/m '/flk Vflfc '<tik wmwm* tr?ih rrm va*. //m^//7K v>



WHY?



go on working out your calculations

MENTALLY

when a calculating machine exists,

Loth SIMPLE and PRACTICAL

THE MAD AS'

It calculates BETTER, more RAPIDLY

ALWAYS CORRECTLY and, what is more, quite
AUTOMATICALLY, thus Le ing an economiser

ol your time, that ot your stall and also your

general expenses.




I .Uoih'l «•(//' key-board and electric motor)



IN YOUR OWN INTEREST

try it yourself and be judge ot what we say.

DEMONSTRATION GRATIS

in very town in France entails no obligation.

Catalogue free on demand — Numerous references in the textile industry



ROUX & DELEAMONT

80, Rue > Tadbouu; 80 - PARIS

Teleph. : Trudaine 69-



The Strongest-) Smartest^ and most luxur




For nwrniiai wear in Ibe lioi.r " LE MYR



STOCKINGS

are those mar Led

LE MYR"

' LOR"

"LE NIL"

manufactured in France? at their
works I7i the C evennes hy

Les MANUFACTURES REUNIES

and by :

"L'AGANTIC "

office.,,, al GANG US, HERAULT (t\ ■aact )
PARIS AGENCY : 4, Rue Tronchet

Louvre ^3-^6



/ / your draper <hh;i iwl keep Ibcoe makes oj jtovktuaoj write io (mui/e,*, ttiu) you wilt receive a tut oj Ibe firinA at your town, who Mock, the



IT ' ' ' rf'^' ,TTT " 1 rf& Sb I LLI l ^S ^
*+X* *>wV*



■



44 7 - V
J u vein!



UVeilll CREATIONS

SHOWROOMS AND SALEROOMS I

3, Rue Le Peletier PARIS




IT' it 1 1' J or our /////.'-
Iraled G album.
Po.'t free on receipt
of 90 centimes,

Lia Corset eric Speciale tie France
CHELLES (S.-et-M.) France



■ •






TTERZBERG, the silk stocking specialist, has the honour to
inform his customers that his fine quality stockings, in all the
prettiest shades now in demand, are still obtainable, as usual, at
prices that defy competition.

He takes advantage of the opportunity to announce that he has the
sole rights in connection with the well-known "Or" brand, whose
reputationjfor strength and elegance is already thoroughly established

J. HERZBERG

b, Rue de Provence, PARIS

Branch : 11, Boulevard AlaUsbtrbc&j



HAUTt COUTURE




9 RUE AUBER



HER
MANTLE/

TAILORS
FUR^

AREThE EXPRE//ION
OP PARISIAN c/MARTNEuCT



LES ADRESSES DE L' ELEGANTE



= S3 i/OlKXZ =

QfiarrumJ-i SSuJt*. Sternej/lne^ ,0ifeimerU Pi/r «■/ J'aytnt
Cjcperliji'j



3=^



3=



Anc"" M" Basse - Riche

Succ A. DIZIAIN, Fabr t

Decora, d'lnlerieurtu

Broderics, Dentetles, Soienes d' AineubUmenLj
Ridcaux d'Aru> - Linger de TabtcJ outrage'

NOUVEAUTES COPIE O'ANCIEN

40. Rue de l'iohiquier, PARIS Teleph. CENTRAL 4*, 3

R. C. TRIBUNAL OB LA SEINE 4. BOB



COSTUMES ET ROBES JERSEY

M ANTE AU X — DRAPER IE

Garconncts - Babies - Fillettes - Grandcs Fillettcs
COMMISSION CREATIONS HAUTE FANTAISIE EXPORTATION

Paul SARI EL

Teleph.: Central 57-37 19-2 1 , Rue Poissonniere, PARIS ^2*)

Louvre 52-8l (Mitro : Sentier) ^ '

FABRIQUE DE TISSUS JERSEY EN TOUS GENRES

R. C. PARIS 70.208



Le Gant CAPITANT

Fabric a GRENOBLE par MAI. CAPI1AN1 eJ C" succ" de

CAPITANT & PERRIN



Maisons a Londres - New -York - Melbourne
Bruxclles - Barcelonc - Copenhaguc - Bucarest

a PARIS : M. Soudant - RucJ des HalUos, g
M. Helft 7, RtuJ> HewlB, 7

R. C. GRENOBLE 1,401



PERLES et PIERRES IMITATIONS




Copies parfaites de Bijoux veritable*
P JLRIS m 5 , Rues Fontaines



^CONCEPTS T.S.F.^


VITUS


GRAND PRIX 1
1022-23




5*. Put Saint-Ma ur. PARIS Alt
DEMANDEZ CATALOGUES

I R C. Seme 1 83.898 I



Toute personne soucieuse de sa Sante

doit consommer du Champagne authentique et naturel,
aperitif et digestif par excellence.

Pour se procurer ce delicieux nectar, il est plus que
jamais indispensable de ne s'adresser qu a des maisons
de coniiance, telle la Maison

FORTIN PfeRE & FILS, d'EPERNAY

Dcmandcz son Pri.v-Courant defiant toute concurrence.



OEPUIS I804

LA LITER1E
DARRAC

est le Fournisseur pre/ere de la Clientele Elegante

PARIS, 24, Rue Cadet. (9 Arr*)
NICE, 3-5, Rue du Marechal - Petain



R. C. SEINE 07.7S0



HAUTES MODES

"NANDINE"

lelepb. : Gutenberg 47-37



J, Rues Volney

PARIS



R. C. PARIS 23.633



Manufacture de GANTS de PEAU

ji, Rues Joseph Cbanrionj



GRENOBLE



Gaston Charlon

GLACE - SUt-DE - TANNt- - MOCKO

— Grand cbotx.9 Dd Ganttu FanlaistcJ —

R. C. ORE NOBLE B.48B



R. C. 97.274



La diaussure Tressee

SUSIE



Cbaussures
Orientales




220, Rite Lafayette

PARIS (X )

Adresse Telegr.
RANDCHAUSIE



i REY



H e nr

Ancienne

F

15, Rue Heberl — GRENOBLE



Ancienne Maison CHEVRIER

Foodce en 1 868



Gants Haute Nouveaute
Fantaisie Motifs Egj-ptiens,
Garniture tissu, Peinture.



Gants classiques : Glace et Suede sup r ,
Coupe large, Tanne, Antilope, Veloutis,
Lavablcs, Sellier cousu main.



0. 4RENOBLE 10.12T



TRAITEMENT SCIENTIFIQUE DE LA BEAUTE

PAR




Trattements



DONT LA REPUTATION EST M0NDIALE

a PARIS, 1 26, Rue du Faub. St-Honore
a LONDON, 24 Grafton St. W i
et Consultations : 4 NEW-YORK. 46 West 5 7 Street

TRAITEMENTS CHEZ SOI PAR LES PRODUITS DE BEAUTE VALAZE

(Brochure explicative envovec sur demande)




Le Gera.nl, Charles COY.



©x©x&x©x&><®x©><©x©x®

© TV i • j l i @

-1. Ins issue, in colours, was printed by les

© iSucc" X Albert GO DDE, BEDINcS C u @

1 5, Quai des Brotteaux, Lyon
@ 1 • -1 @

on their own special presses. yty

Sfh All models sk own liere are registered

m accordance witli law. ^§(^

© Reproduction Telephone: ^

X ° ffi - : prohibited. C "": % ^ ^

<g) 2 7 , RuedetJeunturs Central 94-11 @

^ PARIS Ztfuw* ^

©X@X©X®X®X@X®>K©X®X@

R. C. Pari* 101.907




Lire la suite

• Taille
  3.32 MB
• Nombre de pages
  15